Yesterday was my last vacation day on this project, so I’m back to work today. Kinda hard to stop, I wish there was some way to pay the bills by doing what I want (http://www.largescalecentral.com/externals/tinymce/plugins/emoticons/img/smiley-laughing.gif)
The day started with clearing out the final junk corner from beneath the deck, helping toads find a new home, moving more dirt to get things to the same level, and leveling out the gravel floor. This place was always hideous, dark and full of junk, spider webs and mud. Now, I almost want to put a picnic table down there, haha!

The bigger challenge though was negotiating how the backdrop panels should be cut, with my Better Half. As the model pic in my first post shows, the top edge is supposed to be undulating, and lower than the height of the stock sheets.

Being a design-engineer, I tend towards straight lines. However, my wife Linda, being an artist, and someone who dislikes this invasion of synthetic material, and who is also daily handling the weeding of the layout and caring of our “baby trees,” needs to be real happy about all this. So, we spent quite a bit of time on determining this cut line. Here’s a shot of the line of negotiation, which changed repeatedly.

And, here’s the cut version.

I wasn’t really glad to see the straight lines go (sniff) but WTH. And, the backstage area has much more natural light, which it (and the basement windows behind) needed.

Eventually this backdrop will have more going on, but for this season I need to move onto other aspects of this project.
Thanks for viewing, and thanks again for all the encouraging remarks.
===>Cliffy