With regard to the BEMF of the TCS and PID adjustments, I don’t recall seeing anything in the manuals about adjusting those parameters, nor with the WowSound boards can you turn BEMF off, as you can on the QSI. You can, once you’ve calibrated the loco for light and heavy loads, have it read back the CVs, or manually calibrate the responses by adjusting the 4 CVs for light and heavy loads respectively. (It’s in the advanced programming guide.) From what I’ve read on the forums, if you’re going to go that route, it’s advisable to do so via Decoder Pro.
Having said that, the motor control on the installs I’ve done has been very good out of the gate, so I’ve not had reason to go looking to make adjustments. My first install (LGB Porter) lurches a little from stop to speed step 1, but the speed at step 1 is very slow, and you only notice it when you actually just jump from stop only to step 1, which I almost never do because I want to actually get to where I’m going. My diesel board and the one I’ve got in my On30 mogul are very smooth from stop to step 1. (Note: I use 28 steps, not 128.)
As to the manuals, the programming manual (like QSI, Zimo, Soundtraxx and others) will be the same for all decoders with that version of the software, regardless of the form factor. Each form factor has its specific manual for wiring, though the new large scale decoder doesn’t appear to be on the web site yet.
As for Soundtraxx, they’ve got the 4-amp Econami, and according to their web site, still plan a 4-amp version of their Tsunami2. I don’t consider that “marginal” for large scale. It’s perhaps underpowered for something like a Dash-9 pulling 30 cars, but for a typical two-motor loco pulling 10 - 15 cars? It’s not going to break a sweat. I had one in my B’mann K-27, and it worked great. (I’ve since moved it to my B’mann mogul because I shifted a bunch of decoders and sound systems around recently to better match the decoder capability to how I run each particular loco.)
Martin, to my knowledge, the TCS has only one speaker output, unless something has changed from the photo on their web site. In terms of the QSI’s two-channel audio output, it’s cool, but its efficacy depends on the distance between the two speakers and your typical distance from your trains. I’ve got two locos set up with dual speakers; a center cab and a Climax. With the center cab, it’s got dual prime movers, so I’ve got the board set so each of the prime movers goes specifically to the speaker under that hood. The bell and whistle are likewise split so to come from the appropriate end. On the Climax, I’ve got a big bass speaker in the tender, and a small 1" speaker in the smokebox. For this one, I adjust the balance to shift the sounds somewhere in the middle, so the bell and whistle sound like they’re coming from just in front of the cab. The chuff has just enough high frequency coming from the smokebox to shift that forward, though with the size of the speaker in the bunker, the chuff sounds like it’s coming from the firebox as opposed to the smokebox. If I were to shift the chuff any more forward, I’d lose the bass frequencies. If I’m right next to the loco, you can definitely tell, and it’s pretty cool. From 15’ away, the effect blends into the woodwork. At 30’ away, you can’t tell. I had done a 3rd loco (USA NW-2) with two speakers, but the two speakers were only about 6" apart, so the effect was pretty much wasted. I can’t remember if I pulled the 2nd speaker or not to be honest. I just put another QSI in my B’mann “Connie,” which right now has a big speaker in the tender. It sounds great, but I’m leaning towards re-doing that install with a speaker in the smokebox instead. I’ll probably set that up as a dual speaker set-up similar to the Climax so I can use the tender speaker for the bass response if I can’t get adequate bass from the smokebox.
Later,
K