First of all, I promise not to make a habit of cross posting questions … but in this case I’m going for the broadest audience I can get…
When constructing a steam whistle for a locomotive, whether you’re doing one, three, or five chimes, it doesn’t seem to be enough to simply know the musical notes involved to get the right SOUND from the whistle.
For example, most “chime” whistles are based on an A minor seventh chord, and would include some range of notes from the A C E G# range, or if you’re being really inventive, A,C,Eb,Gb tritone range… or if you’re going for a three chime, a second inversion major triad like C,E,A will work. Obviously there are variations … but even the folks who manufacture the wooden train whistles (or the more expensive aluminum ones) know this, as did Hancock when they made 1:1 locomotive air whistles designed to sound like steam with three notes.
Anyone listening to one of these, even the Hancock, isn’t going to be fooled for long, though. Just like you won’t fool anyone for long blowing a steam whistle from an air supply … it just sounds wrong. Something about the steam changes how the whistle sounds… and you can’t really replicate it with air.
But it’s not just the steam, either. You can put steam through a multipipe whistle tuned to the right chord … and it still sounds like a calliope, not a locomotive. It’s not the size… there are small high pitched steam whistles that have the locomotive’s character of sound (think the SY (Susquehana 142/Valley RR 1647)), and really large boat whistles that simply sound like the calliope at a really low pitch!
So, what is it that gives the steam whistle its voice? What is it that makes the difference between whistles like the 473 used to carry, and Valley RR 97, and Monson 3 and 4, and most of the locomotives at the Cumbres and Toltec … and their more musical counterparts like EBT #14, Valley RR #40, Edaville #21 (this year and last) and Tweetsie #12/#190? What makes for that rumbling, almost hoarse sound that can’t be confused with any other type of noisemaker?
And, while the pitch would certainly be higher, could whatever it is that adds that raspy, signature sound be incorporated into a model whistle?